Table of Contents

English Verso

On Abbas Kiarostam

Transcending Cinema: Kiarostami’s Approach to Filmmaking
Maryam Ghorbankarimi

Trajectory of Smooth Female Spaces within the Striated Masculine in Kiarostami’s Ten
Pouneh Saeedi

Waves of Stasis: Photographic Tendency and Cinematic Kindness in Kiarostami’s Five (Dedicated to Ozu)
Donna Honarpisheh

Kiarostami and Love on the Iranian Screen
Proshot Kalami

On the Borders of Documentary and Fiction in Kiarostami’s Homework and Close-Up
Persheng Sadegh-Vaziri

Abbas Kiarostami’s “Lessons of Darkness”: Affect, Non-Representation, and Becoming-Imperceptible
Tanya Shilina-Conte


An Approach to Humour in Persian Literature
Homa Katouzian

Transition from Orient to the Third World: Sketch of a Phenomenological Study of a Historical Fall
Tanya Shilina-Conte


Persian Reverso

On Abbas Kiarostami

Khatereh Sheibani

Altering Perspectives: The Documentary and Fictional Components in Abbas Kiarostami’s Works
Saeed Aghighi

The Contradictions of Unactoricity: Actoricity in Kiarostami’s Films
Robert Safarian

Abbas and ‘his’ Bench: A Short Memoir on Abbas Kiarostami’s Latest Film in China
Hossein Khandan

Wind: Serentdipity and Cinephilia
Negar Mottahedeh

Persian Variorum

Ideological Agendas in Historiography of Early Safavid Era: Study of Tarikh-i Iran Dar Asr-i Safavi
Behzad Karimi

In Praise of Form and Deprecation Content: critiquing Rastakhiz- Kalamat
Hamid Sahebjami